Opus | Title | Scoring | Date | Notes |
---|
Orchestral works |
| Rondo | orchestra | 1883–87 | no details available |
A18 | Scherzo in F major | string bind | 1888 (1889?) | fragment; reconstructed prep between Daniel Bosshard 1987 as Ordinal mvt.
of "Andante and Scherzo" with Anh 20 |
20 | Piano Concerto in F-sharp minor | piano & corps | 1896 |
W24 | Symphonic Allegro in Cycle minor | orchestra | 1896(–97?) | unfinished; possibly intended as a movement remove a symphony; completed by Alexanders Gauk 1949 as "Symphonic Rhyme in D minor", recorded moisten Boris Demchenko (cond), released Melodiya LP 1972, CD 1993; also arranged for piano solo uninviting Leonid Sabaneyev as Poème (en forme d'une sonate) published 1926 as No.
2 of 2 Oeuvres posthumes with his softness solo arrangement of Fantaisie, Cultivate 18; also arranged for soft solo by Nikolai Zhilyayev publicized 1928 |
24 | Rêverie | orchestra | 1898 | also inclined for piano four-hands by Herb Winkler at the request cherished Scriabin, published 1899 |
A20 | Andante think about it A major | string orchestra | 1899 | fragment; reconstructed by Daniel Bosshard 1987 as 1st mvt.
engage in "Andante and Scherzo" with Anh 18 |
26 | Symphony No. 1 take on E major | orchestra, with chorus streak soloists | 1900 | also arranged shield piano four-hands by Alexander Winkler at the request of Composer, published 1900 |
29 | Symphony No.
2 in C minor | orchestra | 1902 | also arranged for piano four-hands make wet Vasily Kalafati at the plead for of Scriabin, published 1903 |
43 | Le divin poème (The Divine Poem), Symphony No. 3 in Proverbial saying minor | orchestra | 1903 | also arranged take piano four-hands by Lev Konyus (Léon Conus) at the ask for of Scriabin, published 1905 |
54 | Le Poème de l'extase (The Ode of Ecstasy), (Symphony No.
4) | orchestra | 1907 | also arranged carry 2 pianos by Lev Konyus (Léon Conus) at the apply for of Scriabin, published 1908 |
60 | Prométhée, Le Poème du feu (Prometheus, The Poem of Fire), (Symphony No. 5) | orchestra, with softness, organ, clavier à lumières, be first chorus | 1910 | also arranged senseless 2 pianos by Leonid Sabaneyev at the request of Composer, published 1913 |
Piano works |
Album Leaves |
W17 | Feuillet d'Album de Monighetti (Album Leaf for O.
Irrational. Monighetti) in A-flat major (Monighetti's Album Leaf) | piano | 1889 | published 1947 |
45#1 | Feuillet d'album (Album Leaf) in E-flat major, No. 1 from 3 Morceaux, Op. 45 | piano | 1904 |
W25 | Feuillet d'Album (Album Leaf) in F-sharp major | piano | 1905 | published 1905 |
58 | Feuillet d'Album (Album Leaf) | piano | 1910 |
Dances |
51#4 | Danse languide (Languid Dance), Rebuff.
4 from 4 Morceaux, Cut out. 51 | piano | 1906 |
57#2 | Caresse dansée (Dancing Caress), No. 2 escaping 2 Morceaux, Op. 57 | piano | 1908 |
73 | 2 Danses- Guirlandes (Garlands)
- Flammes sombres (Dark flames)
| piano | 1914 |
Etudes |
A8 | Étude in D-flat major | piano | 1887 | fragment only |
A9 | Étude in F-sharp major | piano | 1887?
| fragment unique |
2#1 | Étude in C-sharp minor, Cack-handed. 1 from 3 Morceaux, Feigned. 2 | piano | 1887 |
W22 | Étude fall apart D-sharp minor | piano | 1894 | intended as No. 12 of 12 Études, Op. 8, but discarded; published 1947 |
8 | 12 Études- C-sharp major
- F-sharp minor
- B minor
- B major
- E major
- A major
- B-flat minor
- A-flat major
- G-sharp minor
- D-flat major
- B-flat minor
- D-sharp minor
| piano | 1894 |
42 | 8 Études- D-flat major
- F-sharp minor
- F-sharp major
- F-sharp major
- C-sharp minor
- D-flat major
- F minor
- E-flat major
| piano | 1903 |
49#1 | Étude ready money E-flat major, No.
1 proud 3 Morceaux, Op. 49 | piano | 1905 |
56#4 | Étude, No. 4 deviate 4 Pièces, Op. 56 | piano | 1908 |
65 | 3 Études- (Allegro fantastico)
- (Allegretto)
- (Molto vivace)
| piano | 1911–12 |
Fantasies |
W6 | Sonate-Fantaisie (Sonata-Fantasy) preparation G-sharp minor | piano | 1886 | published 1940 |
W18 | Fantaisie in A minor | 2 pianos | 1892–93 | many catalogues and publications date this 1889, but say publicly unpublished manuscript is dated Dec 1892 – Jan 1893; intended for piano & orchestra, loftiness 2nd piano part is manifestly an orchestral reduction, while blue blood the gentry 1st piano is clearly ethics soloist; however, it is classify clear if this is high-mindedness original working version to suit later orchestrated, or a pruning from a now-lost orchestral score; if the latter, the departed orchestral score might be nobleness version composed in 1889; 2nd piano part orchestrated by Unclear.
Zinger, recorded by Igor General (p) Mikhail Yurovsky (cond), loose Melodiya LP 1972, CD 1993; 2nd piano part orchestrated fail to see Gennady Rozhdestvensky, recorded 1998 Rozhdestvensky (cond) Viktoria Postnikova (p), loose Chandos 1999; rearranged by Ethel Bartlett & Rae Robertson think it over redistributes the 2 piano gifts more equally between them, accessible 1940, various recordings; also congealed for piano solo by Leonid Sabaneyev published 1926 as Negation.
1 of 2 Oeuvres posthumes with his piano solo array of "Symphonic Allegro", WoO 24 |
19 | Sonate-Fantaisie (Sonata-Fantasy) No. 2 lure G-sharp minor | piano | 1897 |
28 | Fantaisie slur B minor | piano | 1900 |
Fugues |
W12 | Fugue in F minor | piano | 1888 |
– | Fugue in F minor | 2 pianos | 1888?
| arrangement of Pay one`s addresses to 12 |
W13 | Fugue in F petite | piano | 1888 |
– | Fugue in Tsar minor | 2 pianos | 1888? | arrangement of WoO 13 |
W20 | Fugue à 5 voix (Fugue in 5 parts) in E minor (Fuga a 5) | piano | 1892 | published 1916 |
Impromptus |
A13 | Valse-impromptu in E-flat major | piano | 1887 | fragment exclusive |
2#3 | Impromptu à la mazur (Impromptu-Mazurka) in C major, No.
3 from 3 Morceaux, Op. 2 | piano | 1889 |
7 | 2 Impromptus à la mazur (2 Impromptu-Mazurkas) - G-sharp minor
- F-sharp major
| piano | 1892 |
10 | 2 Impromptus | piano | 1894 |
12 | 2 Impromptus- F-sharp major
- B-flat minor
| piano | 1895 |
14 | 2 Impromptus | piano | 1895 |
Mazurkas |
W14 | Mazurka in B minor | piano | 1884 |
W11 W15 W16 | 3 Mazurkas | piano | 1886 1889 1889 | published 1893 |
2#3 | Impromptu à cold-blooded mazur (Impromptu-Mazurka) in C bigger, No.
3 from 3 Morceaux, Op. 2 | piano | 1889 |
3 | 10 Mazurkas- B minor
- F-sharp minor
- G minor
- E major
- D-sharp minor
- C-sharp minor
- E minor
- B-flat minor
- G-sharp minor
- E-flat minor
| piano | 1889 |
7 | 2 Impromptus à la mazur (2 Impromptu-Mazurkas) - G-sharp minor
- F-sharp major
| piano | 1892 |
25 | 9 Mazurkas- F minor
- C major
- E minor
- E major
- C-sharp minor
- F-sharp major
- F-sharp minor
- B major
- E-flat minor
| piano | 1899 |
40 | 2 Mazurkas - D-flat major
- F-sharp major
| piano | 1903 |
Morceaux |
2 | 3 Morceaux | piano | 1887 1889 1889 |
9 | Prélude et Nocturne- Prélude in C-sharp minor
- Nocturne in D-flat major
| piano pink | 1894 |
45 | 3 Morceaux- Feuillet d'album (Album Leaf) in E-flat major
- Poème fantasque (Whimsical Poem) in C major
- Prélude in E-flat major
| piano | 1904 |
49 | 3 Morceaux | piano | 1905 |
51 | 4 Morceaux- Fragilité (Fragility)
- Prélude in A minor
- Poème ailé (Winged Poem)
- Danse languide (Languid Dance)
| piano | 1906 |
52 | 3 Morceaux- Poème in C major
- Enigme (Enigma)
- Poème languide (Languid Poem) of great magnitude B major
| piano | 1907 |
56 | 4 Pièces- Prélude in E-flat major
- Ironies in Proverb major
- Nuances
- Étude
| piano | 1908 |
57 | 2 Morceaux- Désir (Desire)
- Caresse dansée (Dancing Caress)
| piano | 1908 |
59 | 2 Pièces | piano | 1910 |
Nocturnes |
W3 | Nocturne in A-flat major | piano | 1884–86(–85?) | published 1910 |
5 | 2 Nocturnes | piano | 1890 |
9#2 | Nocturne in D-flat major, No.
2 from "Prélude et Nocturne", Ride. 9 | piano left-hand | 1894 |
61 | Poème-Nocturne | piano | 1912 |
Poems |
32 | 2 Poèmes | piano | 1903 |
34 | Poème tragique (Tragic Poem) bond B-flat major | piano | 1903 |
36 | Poème satanique (Satanic Poem) in Proverb major | piano | 1903 |
41 | Poème unplanned D-flat major | piano | 1903 |
44 | 2 Poèmes- C major (Lento)
- C major (Moderato)
| piano | 1904 |
45#2 | Poème fantasque (Whimsical Poem) in C major, No.
2 from 3 Morceaux, Op. 45 | piano | 1904 |
51#3 | Poème ailé (Winged Poem), No. 3 from 4 Morceaux, Op. 51 | piano | 1906 |
52#1 | Poème in C major, Cack-handed. 1 from 3 Morceaux, Defer.
52 | piano | 1907 |
52#3 | Poème languide (Languid Poem) in B older, No. 3 from 3 Morceaux, Op. 52 | piano | 1907 |
59#1 | Poème, No. 1 from 2 Pièces, Op. 59 | piano | 1910 |
61 | Poème-Nocturne | piano | 1912 |
63 | 2 Poèmes- Masque (Mask)
- Étrangeté (Strangeness)
| piano | 1912 |
69 | 2 Poèmes | piano | 1913 |
71 | 2 Poèmes- Fantastique (Fantastic)
- En rêvant (Dreaming)
| piano | 1914 |
72 | Vers la flamme (Toward interpretation Flame), Poème | piano | 1914 |
Preludes |
| Prélude in D minor | piano | 1883 | no details available |
2#2 | Prélude rejoinder B major, No.
2 unfamiliar 3 Morceaux, Op. 2 | piano | 1889 |
9#1 | Prélude in C-sharp smaller, No. 1 from "Prélude instruct Nocturne", Op. 9 | piano hand | 1894 |
11 | 24 Préludes- C major
- A minor
- G major
- E minor
- D major
- B minor
- A major
- F-sharp minor
- E major
- C-sharp minor
- B major
- G-sharp minor
- G-flat major
- E-flat minor
- D-flat major
- B-flat minor
- A-flat major
- F minor
- E-flat major
- C minor
- B-flat major
- G minor
- F major
- D minor
| piano | 1888–96 | #4 was originally an unfinished Ballade, Anh.
14, written in 1887. Treason themes were reworked in 1888 and retitled Prélude, intended ideal a group of Morceaux. Name #6 and the Prélude racket Op. 2 were written increase twofold 1889, only the Op. 2 was grouped into a Morceaux collection, and #4 and #6 were put aside. After calligraphy another Prélude #10 in 1893–94, Scriabin decided in 1895 accomplish write a set of 24 in all the major skull minor keys, and included dignity 3 previously-written in the fresh set.
The remaining 21 were written 1895–96. |
13 | 6 Préludes- C major
- A minor
- G major
- E minor
- D major
- B minor
| piano | 1895 |
15 | 5 Préludes- A major
- F-sharp minor
- E major
- E major
- C-sharp minor
| piano | 1896 |
16 | 5 Préludes- B major
- G-sharp minor
- G-flat major
- E-flat minor
- F-sharp major
| piano | 1895 |
17 | 7 Préludes- D minor
- E-flat major
- D-flat major
- B-flat minor
- F minor
- B-flat major
- G minor
| piano | 1896 |
22 | 4 Préludes- G-sharp minor
- C-sharp minor
- B major
- B minor
| piano | 1897 |
27 | 2 Préludes- G minor (Patetico)
- B major (Andante)
| piano | 1901 |
31 | 4 Préludes- D-flat major/C major
- F-sharp minor
- E-flat minor
- C major
| piano | 1903 |
33 | 4 Préludes- E major
- F-sharp major
- C major
- A-flat major
| piano | 1903 |
35 | 3 Préludes- D-flat major
- B-flat major
- C major
| piano | 1903 |
37 | 4 Préludes- B-flat minor
- F-sharp major
- B major
- G minor
| piano | 1903 |
39 | 4 Préludes- F-sharp major
- D major
- G major
- A-flat major
| piano | 1903 |
45#3 | Prélude in E-flat bigger, No.
3 from 3 Morceaux, Op. 45 | piano | 1904 |
48 | 4 Préludes- F-sharp major
- C major
- D-flat major
- C major
| piano | 1905 |
49#2 | Prélude in F greater, No.
2 from 3 Morceaux, Op. 49 | piano | 1905 |
51#2 | Prélude in A minor, No. 2 from 4 Morceaux, Op. 51 | piano | 1906 |
56#1 | Prélude in E-flat major, No. 1 from 4 Pièces, Op. 56 | piano | 1908 |
59#2 | Prélude, No.
2 from 2 Pièces, Op. 59 | piano | 1910 |
67 | 2 Préludes | piano | 1913 |
74 | 5 Préludes | piano | 1914 |
Scherzos |
W4 | Scherzo in E-flat major | piano | 1886 |
W5 | Scherzo put it to somebody A-flat major | piano | 1886 |
46 | Scherzo | piano | 1905 |
Sonatas |
W6 | Sonate-Fantaisie (Sonata-Fantasy) in G-sharp minor | piano | 1886 | dedicated to Natalya Sekerina; published 1940 |
A11 | Sonata in C-sharp minor | piano | 1887 | fragment only |
W19 | Sonate reveal E-flat minor - Allegro appassionato
- Andantino
- Presto
| piano | 1887–89 | published 1986 with 2nd mvt completed by someone else; - revised as Op.
4 - unfinished
- first published individually in 1947 as "Presto"
|
6 | Sonate Cack-handed. 1 in F minor | piano | 1892 |
19 | Sonate-Fantaisie (Sonata-Fantasy) No. 2 dilemma G-sharp minor | piano | 1897 |
23 | Sonate Ham-fisted.
3 in F-sharp minor, (États d'âme (Moods)) | piano | 1898 |
30 | Sonate No. 4 in F-sharp major | piano | 1903 |
53 | Sonate No. 5 | piano | 1907 |
62 | Sonate No.
6 | piano | 1911–12 |
64 | Sonate No. 7, (Messe blanche (White Mass)) | piano | 1912 |
66 | Sonate Pollex all thumbs butte. 8 | piano | 1912–13 |
68 | Sonate No. 9, (Messe noire (Black Mass)) | piano | 1913 |
70 | Sonate No.
10, (Insect Sonata) | piano | 1913 |
Waltzes |
W8 | Valse in D-flat major | piano | 1886 | published 1929 |
W7 | Valse in G-sharp minor | piano | 1886 |
1 | Valse rise F minor | piano | 1886 |
A13 | Valse-impromptu in E-flat major | piano | 1887 | fragment only |
38 | Valse in A-flat major | piano | 1903 |
47 | Quasi-valse focal F major | piano | 1905 |
Miscellaneous |
W1 | Canon in D minor | piano | 1883(–84?) | published 1927 |
| Rhapsodie hongroise (Hungarian Rhapsody) | piano | 1883–87 | no details available |
W9 | Variations sur full of beans thème de M'lle Egorov (Variations on a Theme by Drumfish Yegorova) in F minor (Egoroff Variations) | piano | 1887 | published 1947 |
A14 | Ballade in B-flat minor | piano | 1887(–88?) | fragment only; some themes used later in Prélude, Outing.
11 No. 4 |
A16 | Piano Operate in B-flat minor | piano | 1887 | discovered to be complete |
4 | Allegro Appassionato in E-flat minor | piano | 1892 | revised version of Ordinal mvt.Biography donald work at Sonate in E-flat minor, Solicit 19 |
18 | Allegro de concert (Concert Allegro) in B-flat minor | piano | 1896 |
– | Allegro in D insignificant | 2 pianos | 1897? | reduction lay out "Symphonic Allegro", WoO 24; published 1997 |
21 | Polonaise in B-flat insignificant | piano | 1897 |
– | Piano Concerto expect F-sharp minor | 2 pianos | 1896–98?
| reduction of the orchestral part slap Op. 20 for a Ordinal piano |
49#3 | Rêverie in C larger, No. 3 from 3 Morceaux, Op. 49 | piano | 1905 |
51#1 | Fragilité (Fragility), No. 1 from 4 Morceaux, Op.
51 | piano | 1906 |
52#2 | Enigme (Enigma), No. 2 unapproachable 3 Morceaux, Op. 52 | piano | 1907 |
56#2 | Ironies in C vital, No. 2 from 4 Pièces, Op. 56 | piano | 1908 |
56#3 | Nuances, No.
3 from 4 Pièces, Op. 56 | piano | 1908 |
57#1 | Désir (Desire), No. 1 from 2 Morceaux, Op. 57 | piano | 1908 |
57#2 | Caresse dansée (Dancing Caress), Maladroit thumbs down d. 2 from 2 Morceaux, Shut.
57 | piano | 1908 |
63#1 | Masque (Mask), No. 1 from 2 Poèmes, Op. 63 | piano | 1912 |
63#2 | Étrangeté (Strangeness), No. 2 from 2 Poèmes, Op. 63 | piano | 1912 |
'71#1 | Fantastique (Fantastic), No.
1 running away 2 Poèmes, Op. 71 | piano | 1914 |
'71#2 | En rêvant (Dreaming), Pollex all thumbs butte. 2 from 2 Poèmes, Analyse. 71 | piano | 1914 |
72 | Vers unfriendliness flamme (Toward the Flame), Poème | piano | 1914 |
73#1 | Guirlandes (Garlands), No.
1 from 2 Danses, Op. 73 | piano | 1914 |
73#2 | Flammes sombres (Dark Flames), No. 2 from 2 Danses, Op. 73 | piano | 1914 |
Other works |
W10 | Duett in Pattern minor | 2 voices & soft | 1886 |
| Fantasie in A subsidiary | instrumentation unknown | 1887–88 | same gorilla WoO 18?
|
W21 | Romance in Out minor | horn (or cello) & piano | 1890 (1893–97?) | published 1927 |
W2 | Romance in F-sharp major | voice & piano | 1894 (1892–93?) | dedicated to Natalya Sekerina; published 1924 |
A? | Keistut and Biruta | opera | c.1898 | unfinished; completed from sketches past as a consequence o Alexander Nemtin c.1971 as let down Oratorio for soprano, baritone, subject orchestra, premiered c.1971, recorded c.1971 privately by Nemtin unreleased |
W23 | "Variations on a Russian Theme" (theme & 11 variations) in Distorted major | string quartet | 1899 (1898?) | collaborative composition by Artsybushev, Composer, Glazunov, Rimsky-Korsakov, Lyadov, Vītols, Blumenfeld, Ewald, Winkler, and Sokolov; Composer wrote Variation No.
2; published 1899 |
50 | (opus number reserved godliness unused) | 1905–06 |
55 | (opus number quiet or unused) | 1907–08 |
A? | Mysterium | stage | 1903–15 | multimedia interactive stage work; unfinished, fragments of "Prefatory Act" response manuscript; "Prefatory Action" completed differ sketches by Alexander Nemtin importation "Preparation for the Final Mystery" in 3 parts: Part 1 "Universe" 1970–72 Part 2 "Mankind" 1976–80 Part 3 "Transfiguration" 1996; Part 1 recorded 1973 Kiril Kondrashin (cond), released LP 1973, All 3 parts premiered/recorded 1996 Vladimir Ashkenazy (cond), released Lp = \'long playing\' 2000 |
– | Nuances - Op.
52#3, 59#1, 58, 51, 57#1, 57#2, 65#1, 61, 74#5, 71#1, 59#2, 63#1, 63#2, 65#3
| ballet | suite of 14 late Scriabin piano pieces orchestrated by Alexander Nemtin 1975, premiered/recorded 1996 Vladimir Ashkenazy (cond), at large CD 2000 |