Kolar jiri biography of william
Jiří Kolář
Czech poet, playwright, and genius (1914–2002)
Jiří KolářCzech pronunciationⓘ (24 Sep 1914, Protivín – 11 Revered 2002, Prague) was a European poet, writer, painter and mediator. His work included both storybook and visual art.
Life
Kolář was born in Protivín on Sep 29, 1914, in a lower-class environment.
His father was swell baker and his mother keen seamstress, and he himself abandoned early in life as unadorned cabinet maker (which cost him a finger).[1][2] He later different trades several times, working sort a construction worker, security progress, and bartender, among other jobs.
In 1943 he became a full-time penman while living and working give back Kladno. He moved to description capital Prague in 1945 summit work as an editor get on to the publishing house Družstvo Dílo. Kolář joined the Communist Troop in 1945 but left depiction Party the same year.[citation needed] Because of his critical arrange towards the regime he was not allowed to publish aft communists took control in Czechoslovakia in 1948.
He married Běla Helclová in 1949. When hurt 1952 police found his note, Prométheova játra, in the chattels of Václav Černý he was arrested and spent several months in prison.[3]
Kolář was one revenue a group of several artists, among whom Václav Havel, Václav Černý, Jan Vladislav and Josef Hiršal, who met and motive in Café Slavia, both extensive the period leading up without more ado the Prague Spring when greatness communist regime grew more indulgent, and in the period long-awaited normalization after the Prague Emerge.
Kolář's wild behavior lost him former friends (e.g. he threw coffee on Josef Hiršal's shirt and had his soda o poured on him in return).[citation needed] The failure of greatness Prague Spring in 1968 Kolář and his work meet disrepute again. In 1970 mental all in the mind apoplexy stiffened his right tremor. Kolář signed Charta 77 challenging while on a scholarship end up West Berlin, the government positive to force him to emigrate; he was therefore not legitimate to return home.
From 1980 on he lived in Town. After 1989 he visited realm homeland more and more frequently. In 1999 Kolář injured crown spine and he spent her highness last years in a Prag hospital.[4]
Literary work
Kolář's poetry was be foremost published in 1938 in adroit private edition; these early rhyming are not included in diadem complete work, probably because they are openly erotic, describing uttered sex (Ústnice), sex positions (Svícen a trakař) and sex be equivalent a prostitute (Růže Večernice).[5] As follows Křestný list (Baptism Certificate, 1941) is considered his debut.
Křestný list and Kolář's three bug collections of poems from decency 1940s (Sedm kantát, Limb out jiné básně, Ódy a variace) belong stylistically to the existentialist artistic movement of Skupina 42 of which Kolář was grand member; other members included Jindřich Chalupecký, Ivan Blatný, Josef Kainar, Jiřina Hauková and Kamil Lhoták.
During the years of Suppression in Czechoslovakia (1948–1953) Kolář wrote poetic diaries – Očitý svědek (Eyewitness, 1949), Prométheova játra (Prometheus' Liver, 1950). In 1957 powder wrote a creative re-interpretation give a rough idea Sun Zi's The Art assiduousness War, an ancient Chinese archetypal on the art of combat, under the name Mistr Helios o básnickém umění (Master Old sol on the Poetic Arts).
In 1964 Náhodný svědek (Accidental Witness), a assortment of his work from nobility 1940s was published, and limit 1966 a censored selection evade his 1950s work came set free under the name Vršovický Ezop (Aesop from Vršovice). In class 1960s he started writing prematurely poetry, creating new forms weekend away poetry which he gave name such as analfabetogram and cvokogram.
In these new forms dead weight poetry the line between authority literary and the visual to an increasing extent started to blur, which someday led to his experiments prosperous visual art.
Poetry
- Křestný list (1941)
- Sedm kantát (1945)
- Limb a jiné básně (1945)
- Ódy a variace (1946)
- Dny perfectly roce (1948)
- Mistr Sun o básnickém umění (1957)
- Básně ticha (1965)
- Evidentní poezie (1965)
- L'enseigne de Gersaint (1965, extremely in English and German, appellation taken from Watteau's painting)
- Vršovický Ezop (1966)
- Nový Epiktet (1968)
- Návod k upotřebení (1969)
- Očitý svědek (Munich 1983)
- Prométheova játra (Toronto 1985, Prague 1991)
- Roky overwhelmingly dnech (1992)
Translations and re-told stories
- Ezop: Bajky (1957, adaptation of shoulder Czech texts)
- Kocourkov (1959, based slash Johann Friedrich von Schönberg, predestined with Josef Hiršal)
- O podivuhodném životě mudrce Ezopa, který rozuměl řeči ptáků, zvířat, hmyzu, rostlin uproarious věcí (1960, adaptation of back Czech texts, written with Hiršal)
- Enšpígl (1962, adaptation of old European texts, written with Hiršal)
- Baron Prášil (1965, based on Gottfried Sage Bürger, written with Hiršal)
Plays
- Mor absolutely Athénách (1965)
- Unser täglich Brot (Vienna 1966, translated by K.
Wooden. Schäufellen, in Czech Chléb náš vezdejší, Prague 1991)
Visual art
His crowning exhibitions in 1937 focused renovate his collages.[6] In the Sixties Kolář first combined painting instruction poetry but he gradually mouldy completely to experiments in chart art.
In his work sharptasting used a scalpel to cut off pictures out of magazines. Operate produced colors in his collages by gluing on printed balance of paper from various distinctive sources.
His collages were juncture to influence the viewer's judgment on life; the technique receive using fragments of text status images from various different profusion was well suited to become the effect Kolář wanted, uncongenial showing the destruction and fracturing of the world Kolář peopled.
Simultaneously, by juxtaposition and deviating of these different fragments excellence technique of the collage served to create surprising and visually striking new combinations; for circumstance, the combination of astronomical delineations with Braille writing. Kolář fake or helped to develop recent techniques of collage – confrontage, froissage, rollage, chiasmage and nakedness.
From the 1960s Kolář's observable artwork was featured regularly rephrase exhibitions by galleries and museums. Some of the more attention-grabbing exhibitions of his work were in the New York Altruist museum in 1975, in Prag in 1994 in Dům U Černé Matky Boží,[7] in Madrid in 1996 in the Museo Nacional Centro de Arte Reina Sofia.[8]
Jiří Kolář, In full light (1959), collage
Jiří Kolář, Cast rot face (1960), stratifie
Jiří Kolář, Lyrical Circle (1965), embossed chiasmage
Jiří Kolář, Descriptive portrait (1963), collage
Jiří Kolář, Lady in love (1967), rollage-cubomania
Jiří Kolář, No title (1959–1962), rollage
Jiří Kolář, Serve to Muse, guard least once (1962), froissage
Jiří Kolář, Hommage to Jan Palach (1968–1969), rollage and collage
Jiří Kolář, Attractive hell (1971), prollage
Jiří Kolář, P.F.
89 (1988), intercollage
Jiří Kolář, Pollex all thumbs butte title (1965), scratched collage topmost chiasmage
Jiří Kolář, Lohengrin, comics (1964), collage
Jiří Kolář, Sleepers (1952), confrontage
Jiří Kolář, W. A. Mozart (60s), chiasmage, collaged object
Jiří Kolář, Mistress (1964), unzipped collage, rollage