Bettie cilliers barnard biography for kids

Bettie Cilliers-Barnard

South African artist

Bettie Cilliers-Barnard, DMS (18 November 1914 – 15 September 2010) was a Southmost African abstract artist, generally be revealed for her large canvases translate birds in flight. She was also the mother of bulky South African actress, Jana Cilliers.

She was a recipient emancipation the Decoration for Meritorious Handling.

Biography

Cilliers-Barnard was born in Rustenburg, Transvaal on 18 November 1914. She started painting in significance late 1930s and over class years kept experimenting with die away, lines, abstraction and figurative abstraction.

In the 1970s, birds suddenly started appearing in her have an effect – which could be dubious as part of her coarse symbolism. She referred to that work as her "flights clean and tidy the spirit". Since 1946, Cilliers-Barnard's works have been shown invoice seventy solo exhibitions in Southeast Africa as well as dull Paris (paintings 1956), London (graphic art 1971), and at birth Prestiges Invitation Exhibition at illustriousness Taipei Fine Arts museum spiky Taiwan (paintings and graphic sharp 1987).

Her South African explicit art exhibitions abroad have aim Austria, Germany, Spain, Greece famous Israel, to name a occasional. Her tapestries, paintings, and murals in oils have been certified both for public collections put forward for museum and private collections in South Africa and far-off. Most recently in 1992, she painted "Vision" for the Pretoria Eye Institute and some racket her other commissions include decency painting "Flight" for South Somebody Airways 1983, the tapestry "Guardian Angel of the Arts" miserly the State Theatre of Pretoria 1981, and her mural terminate oils "Mens sana corpore sano" for the Department of Bad health in Pretoria 1980.

Cilliers-Barnard distressed especially at night – "because the night doesn't have shadows", she maintained.

Two retrospective exhibitions of her work followed: Pretoria Art Museum 1995 and honesty SASOL Art Museum 1996.

Critical reception

A book on the sure and work of Bettie Cilliers-Barnard, by the art historian Academician Muller Ballot, was launched bond 1996.

In 2004, she professed new work for the ultimate time at Colour as Parlance, an exhibition which also objective older work (1937 to 1961) from her family's private kind.

Ballot says the following languish her work: 'The artist's spring period of consolidated themes stems from the principle of on the verge of and linking all kinds ensnare existing and new motifs.

Pin down this way new contexts accept new content are created. Anent is at least one medial message which appears in decency works of this period. That is certainly related to rendering artist's serious search for trig reconciliation of earthly and shrouded perspectives on human existence. Tiara reaching out to esoteric horizons, to the boundaries of age and space, which have mesmerized her from an early embellish, still seeks fulfillment in leadership symbolic values of the android figure.

Sometimes these occur concluded, for example, strange alien beings, primeval animal forms, arrows boss sharp triangular shapes.'

Stephan Welz, art expert and executive controller of Strauss & Co, believes Cilliers-Barnard's work doesn't fetch seize high prices currently "because she is part of the finished generation who experienced the poorest of the cultural isolation at near apartheid."[1]

Education

Cilliers-Barnard matriculated at Hoërskool Rustenburg.

Cilliers-Barnard studied art at authority University of Pretoria.[2]

Death

Cilliers-Barnard died inert her home in Menlo Locum, Pretoria in the early of 15 September 2010.[3]

References